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I feel most honest and sincere when drawing on paper airplanes in flights, where action becomes part of an image. The animated, absurd, animal-like eroticized swirls are projected against the horizon of the wall. The wall, then, converts itself into context. The surface of the planes becomes a lyrical battlefield where graffiti, the innocence of the drawing of a boy, interchanges inbetween the chase of a male and female airplane, while they shoot their sexual weapons.
Pedro Vizcaino
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